The original Game Jam version is included in the game's folders. Later on after the Jam deadline, we spent two more weeks to polish the experience even more and release it here on Steam. Global Game JamThis game was originally developed in roughly 3 days for the Global Game Jam 2021 where the theme was "Lost & Found". Uncover a myriad of mysteries and carefully placed Easter eggsįind your station, or become ever more lost in Trainslation.Find the secrets behind the station names, hubs and incomplete maps.Talk to other commuters and learn their stories in an effort to make sense of your situation.Decipher the foreign, tangled and incomplete subway maps.Uncover the mysteries that lie in the sprawling underground.Try to find a way out of this Tower-of-Babel-esque navigation adventure.While the main objective is as simple as finding your right stop, the more you explore, the more you’ll learn about the mysterious transport hub that seems to have a mind of its own. To navigate, you’ll have to rely on incomplete maps, unreliable commuters and even a sliver of luck. “Working here is like a post-doctorate,” she said.You find yourself lost in an intricate subway system with nothing but a strange word to guide you.Īs if that wasn’t bad enough, everything is written in a foreign language that you can’t understand. One option is to encourage companies in the city to bring workers from the interior. There’s a lack of make-up artists or lighting technicians in towns outside São Paulo city, she suggested to Folha. She is mindful too of the large majority of people in the state which lives outside São Paulo city, despite its status as the second biggest metropolis in South America. São Paulo state is home to 300 circus families, Marton says with a smile.
Potential aid recipients for culture support run a broad gamut: the audiovisual, theater and music sectors, even circus troupes. The first one, Super Robot Wars OG: The Moon Dwellers had a translation on about the same level of SAO here. SRW and SEA translations are kind of interesting in their own right.
Growth rests on three pillars, she told Variety: “Professional training along the production chain of value promotion of São Paulo State production and funding.” Doing a translation for every SEA country would be expensive and time-consuming, but nerds that play anime video games will probably have relatively high English literacy. “You don’t make culture without use of public-sector money,” she told top Brazilian newspaper Folha. That said, cities which aim to become international movie-TV show shoot magnets will have to create attractions, such as tax breaks, she adds. “In the state you have beaches, mountains, forests, everything cities to shoot, you don’t need sets,” Marton enthuses. When she was appointed by new state governor Tarcísio de Freitas, he asked her to turn the whole state of São Paulo into a film shoot hub, she recalls. At the Marché du Film last week, Marton and Viviane Ferreira, president-director of Spcine, the São Paulo City film commission, jointly announced a call for applications for a second-phase of São Paulo’s pioneering cash rebate program targeting international, non-Portuguese- language productions.Īpproximately $5.1 million will be available for the second phase, with the cap per project raised from the first phase to now approximately $3 million per title. In 2022, São Paulo State and City teamed to launch in a pioneering political partnership a second cash rebate for shoots. These have to be made this week, she says. Marton has met with representatives of the audiovisual sector and launched an open call for applications for funding proposals.
On May 11, in the run-up to Cannes, a Paulo Gustavo Law released R$3.8 billion ($769 million) for Brazil’s culture, of which 70%, R$2.8 billion ($567 million) is destined for audiovisual sectors, channelled to Brazil’s states and cities, in a drive for decentralization. Its policies will impact not only the country but the whole of the region. That cash influx will turn Brazil into the powerhouse of Latin America. 1, plowing nearly $1 billion in 2023 alone into film, TV, video games and other AV sectors.
#Sao trainslation tv
Her appointment, announced in December, coincides with one of the biggest upticks in public-sector funding in film and TV history, with Brazilian President’s Lula Inácio Lula da Silva’s new federal government, which took office on Jan.
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